Sir Thomas Lawrence, one of the most renowned British portrait painters of his generation, created a masterpiece that continues to captivate art enthusiasts and historians alike.
Satan Summoning His Legions, painted in 1797, is an oil on canvas work measuring 432 x 274 cm, currently housed at the Royal Academy of Arts in the United Kingdom.
Artistic Context and Inspiration
Lawrence's grand history painting was inspired by John Milton's epic poem
Paradise Lost, specifically Book I, line 330: "Awake, arise, or be for ever fallen." This powerful subject matter reflects the Romantic movement's emphasis on dramatic and emotive themes. The painting features a muscular male figure, naked apart from his sword, helmet, and strategically placed drapery, standing by a lake of fire as he summons his followers.
Reception and Criticism
Upon its exhibition at the 1797 Royal Academy Annual Exhibition,
Satan Summoning His Legions garnered significant attention and criticism. Richard Westall RA questioned Lawrence's ability to paint historical subjects, while John Hoppner RA expressed a desire to remove the painting from the exhibition room due to its impact on his own works.
Comparison with Fuseli
Lawrence's work was seen as competitive with that of Henry Fuseli RA, who also drew inspiration from Milton's
Paradise Lost. This perceived rivalry highlights the artistic tensions and innovations of the time.
Artistic Legacy
Sir Thomas Lawrence's
Satan Summoning His Legions is a testament to his skill as a painter and his ability to interpret complex literary themes. The painting's dramatic composition and powerful subject matter have made it a lasting part of British art history.
Relevant Works and Artists
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Sir Thomas Lawrence: Satan Summoning His Legions
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Diego Velazquez: Infanta Maria Teresa
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John Constable: Malvern Hall, Warwickshire
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Francisco De Goya: Flight of the witches
Further Reading
For more information on Sir Thomas Lawrence and his works, visit:
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Robert Dunkarton After Sir Thomas Lawrence
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Sir Thomas Lawrence on Wikipedia
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